Light & Atmosphere in Watercolor Workshop - Sean Friloux


Audubon Park offers centuries-old live oaks, lagoons, birdlife, and changing light conditions that make it ideal for plein-air watercolor study. The park includes a picturesque lagoon, extensive oak canopy, and open vistas.
Audubon Park 8am - 11am : Break : Main Building (2nd Floor painting) from 1pm-4pm
Day 1 — Seeing Shapes, Values & Atmosphere
Morning (Audubon Park)
8:00 AM – 11:00 PM
Location: Fountain at St. Charles Ave. entrance
Topics:
• Simplifying complex landscapes
• Thumbnail sketches
• Establishing strong value patterns
• Capturing morning light
Demonstration:
• 20-minute watercolor landscape
PleinAir Exercise:
• Limited-palette landscape study or sketch
Afternoon (Studio)
1:00PM – 4:00PM
Critique and instruction:
• Editing photographs vs. painting from observation
• Color temperature and atmospheric perspective
• Common watercolor mistakes and corrections
Studio Exercise:
• Rework morning studies into a stronger composition
Day 2 — Trees, Water & Reflections
Morning (Audubon Park)
8:00 AM – 11:00 PM
Location: Fountain at St. Charles Ave. entrance
Subjects:
• Southern live oaks and Spanish moss
• Water reflections
• Lost-and-found edges
• Negative painting techniques
Demonstration:
• Painting the character of an oak canopy
PleinAir Exercise :
1. Tree portrait study
2. Reflection study
3. Medium-format landscape
Audubon Park’s famous oak canopy and lagoon provide excellent subjects for studying texture, reflections, and organic form.
Afternoon (Studio)
1:00 PM – 4:00PM
Topics:
• Design and focal points
• Strengthening compositions
• Color mixing workshop
Critique Session:
• Group review of outdoor paintings
• Individual coaching
Day 3 — Creating a Finished Piece
Morning (Audubon Park)
8:00 AM – 11:00 AM
Students select a personal subject:
• Tree of Life
• Lagoon scene
• Bird Island views
• Oak alleys
Goals:
• Independent painting
• Instructor coaching
• Refining personal style
Afternoon (Studio)
1:00 PM – 4:00 PM
Final Project:
• One fully resolved watercolor (11”×15” or 15”×22”)
Topics:
• Finishing touches
• Edge control
• Presentation and matting
Closing Critique
3:00 PM – 4:00 PM
Each participant presents:
• Approx 3–6 studies
• 1 finished painting
• Discussion of process and next steps
Suggested Materials
• 140 lb. cold-press watercolor paper, suggested Arches brand
• ½” and 1” flat brushes
• Round brushes (#6, #10)
• Limited palette (Ultramarine Blue, Burnt Sienna, Pyrole Red, Raw Sienna, Lemon Yellow) suggested Daniel Smith brand
• Folding plein-air chair
• Water container
• Sketchbook
• Sun protection and hat
Class Size
• 10 students
• Beginner through advanced
• Morning plein-air instruction and afternoon studio refinement
This format balances direct observation in Audubon Park with structured studio critique and is very much in line with traditional representational watercolor instruction.

Sean Friloux
Sean Friloux lives and works in New Orleans and is accomplished in watercolor, graphite drawings and acrylic. His work has been featured in Plein Air Magazine and Watercolor Artist Magazine.
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